Knowledge Transfer as collaborative practice

Knowledge Transfer as collaborative practice

Jazz is the collaborative practice of knowledge transfer- making explicit the tacit knowledge of each individual in order to transform the organization as a whole. When we improvise together  our goal is to surface new ideas- to transfer knowledge from the imagination of the individual into knowledge that can be shared by the group. We’re all working off of an underlying strategy- a shared understanding and appreciation of the beauty and architecture of a tune. The process of improvisation is like research and development because it involves the rigorous exploration of possibilities inherent in that tune. There is risk involved because we don’t know what we will play until the exact moment we express our ideas. Much of what is improvised is repetition of old knowledge and capability- what worked well in the past that we know we can repeat. But the essence of improvisation is that we are always pushing the envelope-trying to hear new things by playing what we already know in new ways. This process will always yield incremental breakthroughs in insight. Insight rarely emerges any other way. Often these insights begin to emerge not through a specific idea by one individual but through a collective shift in the feeling of the groups rhythm – the groove. Sometimes it’s hard to know exactly what is surfacing. It may come as a result of something the bass player does or an energy shift created by the drummer, or even the fact that the pianist stops playing altogether leaving space where none had been. And even though the focus may be on the leadership of the sax player as he/she furiously mines the possibilities of the tune (as it is with John Coltrane’s historic rendition of Giant Steps) the process of surfacing breakthrough insights cannot be separated from the actions of the others in the band. The value of knowledge in jazz (and in organizations) becomes transformational only when it is shared. How do the structures of our organization support this essential truth about the nature of human interaction? Perhaps a more important question would be  ”what aspects of organizational design inhibit the transfer of knowledge?”

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Current and Recent Clients

  • CPSI 2013 CONFERENCE

    UNLEASH THE POSSIBLE: HOW TO CREATE, INNOVATE AND LEAD CHANGE
    Michael Gold will conduct workshops for The Expert Forum at the Center for Creative Problem Solving Conference in Buffalo, New York

  • THE PLEXUS INSTITUTE 2013 CONFERENCE


    JAZZ IMPACT will present the opening program for the Plexus Institute of Complexity Science in Silver Springs Maryland.

  • THE CALIFORNIA SOCIETY OF MUNICIPAL FINANCE OFFICERS/


    Jazz Impact will present a keynote for CSMFO’s 2013 Annual Conference on the dynamics of accountability, creative thinking, listening, cross-functional understanding and teamwork in the agile organization.

  • U OF MINN SCHOOL OF PUBLIC HEALTH/


    Dr Michael Gold will return for the fourth year to work with a cohort of medical professionals working towards a MBA in Public Health Administration. In this seminar the art of jazz improvisation is used as an effective tool for deepening the effectiveness of online relationships.

  • KELLOGG NORTHWESTERN EXECUTIVE MBA PROGRAM


    Dr. Michael Gold returned for the seventh year of tri-annual programs using the Jazz Ensemble as a model of Organizational Leadership for the Advanced Education Program at Kellogg Business School in Evanston, Illinois.

  • DR. MICHAEL GOLD HAS BEEN APPOINTED TO THE faculty and curriculum development committee of The Art of Science Learning’s project titled “Integrating Informal STEM and Arts-Based Learning to Foster Innovation.” The project is based at the Balboa Park Cultural Partnership in San Diego. Key national partners include Americans for the Arts, American Association for the Advancement of Science and Association of Science-Technology Centers. It is a four-year research project funded by the National Science Foundation.


  • SOCIAL BUSINESS DESIGN SUMMIT/ The Dachis Group


    Berlin, Germany

  • AMERICANS FOR THE ARTS/


    National Conference/ Bringing Creative Arts Programs to Business, San Antonio, Texas

  • QBE THE AMERICAS/


    Leadership Development Workshops, New York City

  • T ROWE PRICE/


    The Catalyst Event:
    Collaborative Innovation in Social Business Design

  • April 29th, 2010

    HEALTHCARE FINANCIAL MANAGEMENT ASSOCIATION/

    Jazz Impact will keynote for the HFMA’s Leadership Training Conference in New Orleans

  • MAY 25TH, 2011

    SOCIAL BUSINESS DESIGN SUMMITT 2011/

    Jazz Impact will present keynote programs for The Dachis Group Social Business Design Summit 2011 in Austin Texas and London UK

  • March 10th and March 24th, 2011

    U OF MINN SCHOOL OF PUBLIC HEALTH/

    Dr Michael Gold will return for a second year to work with a cohort of medical professionals using jazz as a tool for deepening the qualituy of their online relationships

  • JANUARY 14th, 2011

    ACCENTURE/

    Jazz Impact returned to Accenture to present a program on Jazz and Innovation for their L4 Leadership Development Master Class

  • DECEMBER 8TH, 2010

    SIEMENS/

    Jazz Impact will present a keynote program for 160 “Diversity Ambassadors” – globally located senior executives charged with leveraging diversity in their organizations, business units, and regions

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